Editorial

Danijela Kulezic-Wilson, Christopher Morris and Jessica Shine

The Same Old Songs in Reagan-Era Teen Film

Michael D. Dwyer, Arcadia University

Performing Gender in the Studio and Postmodern Musical

Michael Charlton, Missouri Western State University

When is the Now in the Here and There?
Trans-diegetic Music in Hal Ashby’s Coming Home

Aaron Hunter, Queen’s University Belfast

Beneath Sci-fi Sound: Primer, Science Fiction Sound Design, and American Independent Cinema

Nessa Johnston, University of Glasgow

Cultural Innovation and Narrative Synergy in R. Kelly’s Trapped in the Closet

Ioana Literat, University of Southern California

Emotion Capture: Vocal Performances by Children in the Computer-animated Film

Christopher Holliday, King’s College London

Book Reviews and Conference Reports

Edited by Jill Murphy and Ian Murphy