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Issue Contents

Corporeal Cinema: Editorial
by Ian Murphy and Gwenda Young, Univerity College Cork (Issue Editors)

01 Corporeality and Embodiment in the Female Boxing Film
by Katharina Lindner, University of Stirling

02 Art as a Guaranty of Sanity: The Skin I Live In
by Tarja Laine, University of Amsterdam

03 Dark Fragments: Contrasting Corporealities in Pasolini's La ricotta
by Jill Murphy, University College Cork

04 Reconsidering the Body Genre: Rape-Revenge and Postfeminist Softcore as Biocultural Phenomena
by David Andrews, Independent Scholar

05 The Work of an Invisible Body: The Contribution of Foley Artists to On-Screen Effort
by Lucy Fife Donaldson, University of Reading

06 Beyond the Human Body: Claire Denis's Ecologies
by Laura McMahon, Gonville and Caius College, University of Cambridge



Dark Borders: Film Noir and American Citizenship, by Jonathan Auerbach (2011)
Reviewer: Christina Parker-Flynn, Florida State University

Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todd (2012)
Reviewer: Deborah Mellamphy, University College Cork

Performing Authorship: Self-Inscription and Corporeality in the Cinema, by Cecilia Sayad (2013)
Reviewer: Laura Busetta, Sapienza University of Rome


Book Reviews Editor: Jessica Shine


33rd International Istanbul Film Festival
Istanbul, Turkey, 5–20 April 2014

Reporter: Özge Özdüzen Ateşman, Edge Hill University

The 2014 Atlanta Film Festival (ATLFF)
Atlanta, GA, U.S.A, 26 March–4 April 2014

Reporter: Erin Lee Mock, University of West Georgia

Imagining the Past: Ken Russell, Biography and the Art of Making History
Cinema RITS, Brussels, BE, 19–20 March 2014

Reporter: Kevin M. Flanagan, University of Pittsburgh


Reports Editor: Nicholas O'Riordan

ISSN 2009-4078

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