Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

Editorial Mining Memories: New Explorations in Cinema, Memory and the Past by Gwenda Young https://doi.org/10.33178/alpha.21.00 Articles Re-presenting Histories: Documentary Film and Architectural Ruins in Brutality in Stone by Frances Guerin https://doi.org/10.33178/alpha.21.01 “Non-Sites of Memory”: Poland in Claude Lanzmann’s Shoah Outtakes by Sue Vice and Dominic Williams https://doi.org/10.33178/alpha.21.02 Silent (Un)Becoming Song: Poetic Adventures in History, Memory and Identity in Papusza and Song of Granite by Elzbieta Buslowska https://doi.org/10.33178/alpha.21.03 In Search of a Lost Cinema: Cinephilia and Multidirectional Moving Image Memory in Golden Slumbers by Marie Krämer https://doi.org/10.33178/alpha.21.04 Queering Cultural Memory Through Technology: Transitional Spaces in AR and VR by Maud Ceuterick https://doi.org/10.33178/alpha.21.05 Dossier - History of Cinemagoing: Archives and Projects Introduction by Pierluigi Ercole, Daniela Treveri-Gennari, and Lies Van de Vijver https://doi.org/10.33178/alpha.21.06 Cinema Memories in 3D Modelling and Virtual Reality Storytelling: The Odeon Cinema in Udine by Eleonora Roaro https://doi.org/10.33178/alpha.21.07 Hiding in Plain Sight: A Case Study of a Cinema History Project in Leeds, UK by Laura Ager https://doi.org/10.33178/alpha.21.08 A Digital Archive Is Born: Revisiting the Cinema Culture in 1930s Britain Collection by Julia McDowell and Annie Nissen https://doi.org/10.33178/alpha.21.09 Modern Routines: The Perception of Time and Space in Film Spectators’ Memories of Cinemagoing in 1940s Buenos Aires by Cecilia Nuria Gil Mariño, Alejandro Kelly-Hopfenblatt, Clara Kriger, Marina Moguillansky, and Sonia Sasiain https://doi.org/10.33178/alpha.21.10 Filmgoing or Cinemagoing? The Role of the Film Text within Cinema Memory by Jamie Terrill https://doi.org/10.33178/alpha.21.11 Book Reviews Reviews Editor’s Note by Jill Murphy https://doi.org/10.33178/alpha.21.12 Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History, by David Martin-Jones Reviewed by Laurence Kent https://doi.org/10.33178/alpha.21.13 Play Time: Jacques Tati and Comedic Modernism, by Malcolm Turvey Reviewed by Gianni Barchiesi https://doi.org/10.33178/alpha.21.14 American Eccentric Cinema, by Kim Wilkins Reviewed by Ed Cameron https://doi.org/10.33178/alpha.21.15 Roland Barthes and Film: Myth, Eroticism and Poetics, by Patrick ffrench Reviewed by Josh Heaps https://doi.org/10.33178/alpha.21.16 Mexican Transnational Cinema and Literature, edited by Maricruz Castro Ricalde, Mauricio Díaz Calderón and James Ramey Reviewed by Carolina Rocha https://doi.org/10.33178/alpha.21.17 Negotiating Dissidence: The Pioneering Women of Arab Documentary, by Stefanie Van De Peer Reviewed by Kaya Davies Hayon https://doi.org/10.33178/alpha.21.18 International Politics and Film: Space, Vision, Power, by Sean Carter and Klaus Dodds Reviewed by Juneko J. Robinson https://doi.org/10.33178/alpha.21.19 Women in the International Film Industry: Policy, Practice and Power, edited by Susan Liddy Reviewed by Kath Dooley https://doi.org/10.33178/alpha.21.20 100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta Reviewed by Darshana Chakrabarty https://doi.org/10.33178/alpha.21.21 A Critical Companion to James Cameron, edited by Adam Barkman and Antonio Sanna Reviewed by Martin Jones https://doi.org/10.33178/alpha.21.22 Tweet