Submissions

All submissions must adhere fully to Alphaville's Guidelines and House Style.


Call for Papers

Alphaville Issue 14 (Winter 2017): For a Cosmopolitan Cinema. Call for Papers.

Alphaville accepts articles for consideration through a system of call for papers for themed issues. Calls are advertised on this website and via subject lists. Currently Alphaville does not accept unsolicited article manuscripts. Check this site for updates on open calls.


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Reviews and reports are sought on an ongoing basis. If you are interested in writing a report on a festival, exhibition or other relevant event you may contact us at reviews.alphaville@gmail.com


Books for Review

Publishers and authors may send us books for review at the following address:

Alphaville Reviews Editor
Film and Screen Media
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University College Cork
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If you are interested in reviewing one of the titles below contact us at: reviews.alphaville@gmail.com

Please note that only high-quality reviews that scrupulously observe Alphaville Guidelines and House Style, and display rigorous scholarly engagement with the title being reviewed, will be considered for publication. Please consult the journal Guidelines and House Style for further guidance.



Blake, Marc. Writing the Comedy Movie. Bloomsbury Publishing USA, 2015.

Corkin, Stanley. Connecting the Wire: Race, Space, and Postindustrial Baltimore. University of Texas Press, 2017.

Davis, Rib. Creating Compelling Characters for Film, TV, Theatre and Radio. Second Ed. Bloomsbury Academic, 2016.

de Baecque, Antoine, and Noël Herpe. Éric Rohmer: A Biography. Columbia University Press, 2016.

Hesselberth, Pepita, and Maria Poulaki, eds. Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. Bloomsbury, 2017.

Hunter, Aaron. Authoring Hal Ashby: The Myth of the New Hollywood Auteur. Bloomsbury Academic, 2016.

Ince, Kate. The Body and the Screen: Female Subjectivities in Contemporary Women’s Cinema. Bloomsbury, 2017.

Jacobson, Brian R. Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space. Columbia UP, 2016.

Jackson, Neil, Shaun Kimber, Johnny Walker, Thomas Joseph Watson (eds). Snuff: Real Death and Screen Media. Bloomsbury Academic, 2016.  

Kaklamanidou, Despoina-Betty. The "Disguised" Political Film in Contemporary Hollywood: A Genre's Construction. Bloomsbury Academic, 2016.

Lanzoni, Rémi Fournier. French Cinema: From Its Beginnings to the Present. Second Ed. New York: Bloomsbury Academic, 2015.

Letort, Delphine. The Spike Lee Brand: A Study of Documentary Filmmaking. New York: SUNY Press, 2015.

Malas, Mohammad. The Dream: A Diary of the Film. The American University in Cairo Press, 2016. [On request.]

Mamula, Tijana, and Lisa Patti, eds. The Multilingual Screen: New Reflections on Cinema and Linguistic Difference. Bloomsbury Publishing USA, 2016.

Mekas, Jonas. Movie Journal: The Rise of the New American Cinema, 1959-1971. Second Edition. Columbia UP, 2016.

Miklitsch, Robert. The Red and the Black: American Film Noir in the 1950s. University of Illinois Press, 2017.

Pillai, Nicolas. Jazz as Visual Language: Film, Television and the Dissonant Image. I.B. Tauris, 2016. [On request] 

Raengo, Alessandra. Critical Race Theory and Bamboozled. Bloomsbury Academic, 2016.

Rösing, Lilian Munk. Pixar with Lacan: The Hysteric's Guide to Animation. Bloomsbury Publishing USA, 2015.

Wilson, Ron. The Gangster Film: Fatal Success in American Cinema. Wallflower Press, 2016.

Winston, Brian, Gail Vanstone, and Wang Chi. The Act of Documenting: Documentary Film in the 21st Century. Bloomsbury, 2017.

 

 


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