Call for Papers
Alphaville Issue 24 (Summer 2022): Fostering Diversity on and off Screen. Issue Editors: Kath Dooley, Margaret McHugh, Marsha Berry, Bettina Frankham. Call For Papers.
Alphaville Issue 21 (Summer 2021): Cinema and Memory. Issue Editor: Gwenda Young. Call For Papers.
Alphaville accepts articles for consideration through a system of call for papers for themed issues. Calls are advertised on this website and via subject lists. Currently Alphaville does not accept unsolicited article manuscripts. Check this site for updates on open calls.
Call for Reports
Reviews and reports are sought on an ongoing basis. If you are interested in writing a report on a festival, exhibition or other relevant event you may contact us at firstname.lastname@example.org
Books for Review
Publishers and authors may send us books for review at the following address:
Alphaville Reviews Editor
Department of Film and Screen Media
O’Rahilly Building 1.80
University College Cork
Cork, T12 YN60
If you are interested in reviewing one of the titles below contact us at: email@example.com
Please note that only high-quality reviews that scrupulously observe Alphaville Guidelines and House Style, and display rigorous scholarly engagement with the title being reviewed, will be considered for publication. Please consult the journal Guidelines and House Style for further guidance.
Anderson, Johan, and Lawrence Webb, eds. The City in American Cinema: Film and Postindustrial Culture. Bloomsbury Academic, 2019.
Archer, Neil. Twenty-First-Century Hollywood: Rebooting the System. Wallflower Press, 2019.
Atkinson, Sarah. From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition. Edinburgh UP, 2018. [On request; e-book]
Ayers, Drew. Spectacular Posthumanism: The Digital Vernacular of Visual Effects. Bloomsbury Publishing, 2019.
Bakoy, Eva, Roel Puijk, and Andrew Spicer, editors. Building Successful and Sustainable Film and Television Businesses. University of Chicago Press, 2017.
Barnett, Katie. Fathers on Film: Paternity and Masculinity in 1990s Hollywood. Bloomsbury Academic, 2020.
Bergfelder, Tim, Erica Carter, Deniz Gokturk and Claudia Sandberg, editors. The German Cinema Book. British Film Institute, 2020.
Blanke, David. Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture, 1910-1960. Palgrave Macmillan, 2018.
Bose, Nandana. Madhuri Dixit. Bloomsbury Publishing, 2019.
Buckton, Oliver, ed. The Many Facets of Diamonds Are Forever: James Bond on Page and Screen. Rowman and Littlefield, 2019.
Castro Ricalde, M., Díaz Calderón, M., & Ramey, J., editors. Mexican Transnational Cinema and Literature. Peter Lang, 2018. [On request]
Coëgnarts, Maarten. Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick. Academic Studies Press, 2019.
Connolly, Thomas J.. Capturing Digital Media: Perfection and Imperfection in Contemporary Film and Television. Bloomsbury Academic, 2019.
Connor, J. D. Hollywood Math and Aftermath: The Economic Image and the Digital Recession. Bloomsbury, 2018.
Cooper, Sarah. Film and the Imagined Image. Edinburgh University Press, 2019.
Coover, Roderick. The Digital Imaginary: Literature and Cinema of the Database. Bloomsbury Academic, 2020.
Dasgupta, Rohit K., and Sangeeta Datta. 100 Essential Indian Films. Rowman & Littlefield, 2018.
Datema, Jessica, and Manya Steinkoler. Revisioning War Trauma in Cinema: Uncoming Communities. Rowman & Littlefield, 2019.
Davies, Chris. Blockbusters and the Ancient World: Allegory and Warfare in Contemporary Hollywood. Bloomsbury, 2019.
Dwyer, Tessa, Claire Perkins, Sean Redmond, and Jodi Sita, editors. Seeing into Screens: Eye Tracking and the Moving Image. Bloomsbury, 2018.
Evans, Jo, and Breixo Viejo, eds. Luis Buñuel: A Life in Letters. Bloomsbury Academic, 2019.
Falicov, Tamara L. Latin American Film Industries. British Film Institute, 2019.
Feiersinger, Luisa, Kathrin Friedrich, and Moritz Queisner, eds. Image – Action – Space: Situating the Screen in Visual Practice. De Gruyter, 2018.
Frackman, Kyle, and Faye Stewart, eds. Gender and Sexuality in East German Film: Intimacy and Alienation. Camden House, 2018.
ffrench, Patrick. Roland Barthes and Film: Myth, Eroticism and Poetics. Bloomsbury Academic, 2020.
Geva, Dan. Toward a Philosophy of the Documentarian: A Prolegomenon. Springer, 2018.
Honess Roe, Annabelle. Aardman Animations: Beyond Stop-Motion. Bloomsbury Academic, 2020
Howes, Seth. Moving Images on the Margins: Experimental Film in Late Socialist East Germany. Camden House, 2019.
Hutnyk, John. Global South Asia on Screen. Bloomsbury, 2018.
Klenner, Robert. Directing Screen Performances. Bloomsbury Academic, 2019.
Koepnick, Lutz. Fitzcarraldo. Camden House, 2019.
Koepnick, Lutz. Michael Bay. University of Illinois Press, 2018.
Kornhaber, Donna. Nightmares in the Dream Sanctuary: War and the Animated Film. University of Chicago Press, 2020.
Krämer, Peter, and Yannis Tzioumakis, eds. The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era. Bloomsbury, 2018.
Leitch, Thomas. The History of American Literature on Film. Bloomsbury Academic, 2019.
MacKenzie, S.P.. Bomber Boys on Screen: RAF Bomber Command in Film and Television Drama. Bloomsbury Academic, 2019.
Margulies, Ivone and Jeremi Szaniawski, editors. On Women’s Films: Across Worlds and Generations. Bloomsbury Academic, 2019.
McAllister, Robbie. Steampunk Film: A Critical Introduction. Bloomsbury, 2019.
Meir, Christopher. Mass Producing European Cinema: Studiocanal and Its Works. Bloomsbury, 2019.
Mello, Cecilia. The Cinema of Jia Zhangke: Realism and Memory in Chinese Film. Bloomsbury Academic, 2019.
Miley, Mike. Truth and Consequences: Game Shows in Fiction and Film. University Press of Mississippi, 2019.
Mills, Robert. Derek Jarman's Medieval Modern. Boydell & Brewer, 2018.
Morag, Maya. Perpetrator Cinema: Confronting Genocide in Cambodian Documentary. Columbia University Press, 2020.
Morrison, James. Auteur Theory and My Son John. Bloomsbury Academic, 2018.
Neuberger, Joan. This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia. Cornell University Press, 2019.
O’Leary, Alan. The Battle of Algiers. Mimesis International, 2019.
Ormrod, Joan. Wonder Woman: The Female Body and Popular Culture. Bloomsbury Academic, 2020.
Plotz, Barbara. Fat on Film: Gender, Race and Body Size in Contemporary Hollywood Cinema. Bloomsbury Academic, 2020.
Podkalicka, Aneta, and Ellie Rennie. Using Media for Social Innovation. Intellect, 2018.
Prager, Brad. Phoenix. Camden House, 2019.
Quinn, Eithne. A Piece of the Action: Race and Labor in Post-Civil Rights Hollywood. Columbia University Press, 2020.
Ramanathan, Geetha. The Female in German Modernisms: The Visual Turn. WiSa, 2019.
Richards, Jeffrey. The Lost Worlds of John Ford: Beyond the Western. Bloomsbury Academic, 2020.
Rogowski, Christian. Wings of Desire. Camden House, 2019.
Sawadogo, Boukary. West African Screen Media: Comedy, TV Series, and Transnationalization. MSU Press, 2019.
Slugan, Mario. Fiction and Imagination in Early Cinema: A Philosophical Approach to Film History. Bloomsbury Academic, 2020.
Stewart, Garrett. Transmedium: Conceptualism 2.0 and the New Object Art. University of Chicago Press, 2018.
Stubbs, Jonathan. Hollywood and the Invention of England: Projecting the English Past in American Cinema, 1930-2017. Bloomsbury, 2019.
Teo, Stephen. Eastern Approaches to Western Film: Asian Reception and Aesthetics in Cinema. Bloomsbury Academic, 2019.
Usai, Paolo Cherchi. Silent Cinema: A Guide to Study, Research and Curatorship. Bloomsbury Publishing, 2019.
Walsh, Christopher. Stop Motion Filmmaking: The Complete Guide to Fabrication and Animation. Bloomsbury, 2019.
Weight, Richard. Porridge. British Film Institute, 2020.
Wilkins, Kim. American Eccentric Cinema. Bloomsbury Publishing, 2019.
Williams, James S. Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty. Bloomsbury, 2019.
Xavier, Ismail, ed. On Cinema: Glauber Rocha. IB Tauris, 2018.