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Chapman, James. Swashbucklers: The Costume Adventure Series. Manchester: Manchester University Press, 2015.

Chare, Nicholas. Sportswomen in Cinema: Film and the Frailty Myth. London: IB Tauris, 2015.

Cheshire, Ellen. Bio-pics: A Life in Pictures. New York: Columbia University Press, 2015.

Denison, Rayna. Anime: A Critical Introduction. Bloomsbury Publishing, 2015.

Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, 2016.

Ibarra, Karen Arriaza, Eva Nowak, and Raymond Kuhn, eds. Public Service Media in Europe: A Comparative Approach. Oxon: Routledge, 2015.

Laine, Tarja. Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. New York: Berghahn Books, 2015.

Lanzoni, Rémi Fournier. French Cinema: From Its Beginnings to the Present. Second Ed. New York: Bloomsbury Academic, 2015.

Letort, Delphine. The Spike Lee Brand: A Study of Documentary Filmmaking. New York: SUNY Press, 2015.

Neroni, Hilary. Feminist Film Theory and Cléo from 5 to 7. Bloomsbury, 2016.

Pallant, Chris, and Steven Price. Storyboarding: A Critical History. Palgrave Macmillan, 2015.

Pramaggiore, Maria. Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and Empire. New York: Bloomsbury Academic, 2015.

Schmerheim, Philipp Andreas. Skepticism Films: Knowing and Doubting the World in Contemporary Cinema. New York: Bloomsbury Academic, 2015.

Skorin-Kapov, Jadranka. Darren Aronofsky’s Films and the Fragility of Hope. New York: Bloomsbury Academic, 2015.

Swimmer, Jeff. Documentary Case Studies: Behind the Scenes of the Greatest (True) Stories. New York: Bloomsbury Academic, 2015.

Thakur, Gautam Basu. Postcolonial Theory and Avatar. Bloomsbury Publishing USA, 2015.

Wassmann, Claudia. Therapy and Emotions in Film and Television: The Pulse of Our Times. New York: Palgrave, 2015.


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