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Books for Review
If you are interested in reviewing one of the titles below contact us at: firstname.lastname@example.org
Please note that only high-quality reviews that scrupulously observe Alphaville Guidelines and House Style, and display rigorous scholarly engagement with the title being reviewed, will be considered for publication. Please consult the journal Guidelines and House Style for further guidance.
Atkinson, Sarah. Beyond the Screen: Emerging Cinema and Engaging Audiences. Bloomsbury Publishing USA, 2014.
Blake, Marc. Writing the Comedy Movie. Bloomsbury Publishing USA, 2015.
Chare, Nicholas. Sportswomen in Cinema: Film and the Frailty Myth. London: IB Tauris, 2015.
Cloarec, Nicole, David Haigron, and Delphine Letort, eds. Social Class on British and American Screens: Essays on Cinema and Television. McFarland, 2016.
de Baecque, Antoine, and Noël Herpe. Éric Rohmer: A Biography. Columbia University Press, 2016.
del Rio, Elena. The Grace of Destruction: A Vital Ethology of Extreme Cinemas. Bloomsbury Publishing USA, 2016.
Denison, Rayna. Anime: A Critical Introduction. Bloomsbury Publishing, 2015.
Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, 2016.
Ibarra, Karen Arriaza, Eva Nowak, and Raymond Kuhn, eds. Public Service Media in Europe: A Comparative Approach. Oxon: Routledge, 2015.
Krämer, Lucia. Bollywood in Britain: Cinema, Brand, Discursive Complex. Bloomsbury, 2016.
Laine, Tarja. Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. New York: Berghahn Books, 2015.
Lanzoni, Rémi Fournier. French Cinema: From Its Beginnings to the Present. Second Ed. New York: Bloomsbury Academic, 2015.
Leotta, Alfio. Peter Jackson. Bloomsbury Publishing USA, 2015.
Letort, Delphine. The Spike Lee Brand: A Study of Documentary Filmmaking. New York: SUNY Press, 2015.
Mamula, Tijana, and Lisa Patti, eds. The Multilingual Screen: New Reflections on Cinema and Linguistic Difference. Bloomsbury Publishing USA, 2016.
Miller, Rebecca. Maggie’s Plan. Bloomsbury, 2016.
Paul, William. When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film. Columbia University Press, 2016.
Pramaggiore, Maria. Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and Empire. New York: Bloomsbury Academic, 2015.
Rösing, Lilian Munk. Pixar with Lacan: The Hysteric's Guide to Animation. Bloomsbury Publishing USA, 2015.
Schmerheim, Philipp Andreas. Skepticism Films: Knowing and Doubting the World in Contemporary Cinema. New York: Bloomsbury Academic, 2015.
Swimmer, Jeff. Documentary Case Studies: Behind the Scenes of the Greatest (True) Stories. New York: Bloomsbury Academic, 2015.
Wassmann, Claudia. Therapy and Emotions in Film and Television: The Pulse of Our Times. New York: Palgrave, 2015.
Information for Publishers and Authors
Publishers and authors should contact the Editorial Board at the following email address, if they wish to send books for us to advertise for review: email@example.com
Film and Screen Media at University College Cork, 2011-2016
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