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Atkinson, Sarah. Beyond the Screen: Emerging Cinema and Engaging Audiences. New York: Bloomsbury, 2014.

Chapman, James. Swashbucklers: The Costume Adventure Series. Manchester: Manchester University Press, 2015.

Chare, Nicholas. Sportswomen in Cinema: Film and the Frailty Myth. London: IB Tauris, 2015.

Ibarra, Karen Arriaza, Eva Nowak, and Raymond Kuhn, eds. Public Service Media in Europe: A Comparative Approach. Oxon: Routledge, 2015.

Laine, Tarja. Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. New York: Berghahn Books, 2015.

Leeder, Murray. Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. New York: Bloomsbury Academic, 2015.

Lowenstein, Adam. Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media. New York: Columbia University Press, 2015.

McGowan, Todd. Psychoanalytic Film Theory and The Rules of the Game. New York: Bloomsbury, 2015.

O’Shaughnessy, Martin. Laurent Cantet. Manchester: Manchester University Press, 2015.

Semenza, Greg M. Colón, and Bob Hasenfratz. The History of British Literature on Film, 1895-2015. New York: Bloomsbury, 2015.

Shaw, Deborah. The Three Amigos: The Transnational Films of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. Manchester: Manchester University Press, 2013.

Swimmer, Jeff. Documentary Case Studies: Behind the Scenes of the Greatest (True) Stories. New York: Bloomsbury Academic, 2015.

Szendy, Peter. Apocalypse-cinema: 2012 and Other Ends of the World. New York: Fordham University Press, 2015.

Villarmea Álvarez, Iván. Documenting Cityscapes: Urban Change in Contemporary Non-Fiction Film. London: Wallflower Press, 2015.

Yacavone, Daniel. Film Worlds: A Philosophical Aesthetics of Cinema. New York: Columbia University Press, 2014.


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