Alphaville accepts articles for consideration through a system of call for papers for themed issues. Calls are advertised on this website and via subject lists. Currently Alphaville does not accept unsolicited article manuscripts. Check this site for updates on open calls.
Open call: Alphaville Issue 17 (Summer 2019): "Researching Creative Practice: Terminology, Policy, Models". Issue Editor: Ciara Chambers; Dossier Editors: Davide Abbatescianni and Dan O'Connell. Download the Call for Papers here.
Call for Reports
Reviews and reports are sought on an ongoing basis. If you are interested in writing a report on a festival, exhibition or other relevant event you may contact us at email@example.com
Books for Review
Publishers and authors may send us books for review at the following address:
Alphaville Reviews Editor
Film and Screen Media
University College Cork
Cork, T12 YN60
If you are interested in reviewing one of the titles below contact us at: firstname.lastname@example.org
Please note that only high-quality reviews that scrupulously observe Alphaville Guidelines and House Style, and display rigorous scholarly engagement with the title being reviewed, will be considered for publication. Please consult the journal Guidelines and House Style for further guidance.
Adam Bartos, and Colin MacCabe. Studio: Remembering Chris Marker. OR Books, 2017. [On request.]
Alexandra Heller-Nicholas, Ms. 45. Cultographies. Wallflower Press, 2017.
Alkema, Kyle, and Antonio Sanna. A Critical Companion to Tim Burton. Lexington Books, 2017.
Atkinson, Sarah. From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition. Edinburgh UP, 2018. [On request; e-book]
Atkinson, Sarah, and Helen W. Kennedy, eds. Live Cinema: Cultures, Economies, Aesthetics. Bloomsbury, 2017.
Bakoy, Eva, Roel Puijk, and Andrew Spicer, editors. Building Successful and Sustainable Film and Television Businesses. University of Chicago Press, 2017.
Barker, Timothy. Against Transmission: Media Philosophy and the Engineering of Time. Bloomsbury, 2018.
Beja, Morris, et al. (eds.) Cinematic Narratives: Transatlantic Perspectives. Edições Humus, 2017.
Binns, Daniel. The Hollywood War Film: Critical Observations from World War I to Iraq. University of Chicago Press, 2017.
Blake, Marc. Writing the Comedy Movie. Bloomsbury Publishing USA, 2015.
Bozung, Justin, ed. The Cinema of Norman Mailer: Film is Like Death. Bloomsbury, 2017.
Brodesco, Alberto, and Federico Giordano (eds.). Body Images in the Post-Cinematic Scenario: The Digitization of Bodies.Mimesis International, 2017. [On request.]
Burke, Frank, ed. A Companion to Italian Cinema. John Wiley & Sons, 2017. [On request; e-book]
Castro Ricalde, M., Díaz Calderón, M., & Ramey, J., editors. Mexican Transnational Cinema and Literature. Peter Lang, 2018. [On request]
Chapman, James. Hitchcock and the Spy Film. I.B.Tauris, 2017.
Corkin, Stanley. Connecting the Wire: Race, Space, and Postindustrial Baltimore. University of Texas Press, 2017.
Davis, Rib. Creating Compelling Characters for Film, TV, Theatre and Radio. Second Ed. Bloomsbury Academic, 2016.
de Baecque, Antoine, and Noël Herpe. Éric Rohmer: A Biography. Columbia University Press, 2016.
Dwyer, Tessa, Claire Perkins, Sean Redmond, and Jodi Sita, editors. Seeing into Screens: Eye Tracking and the Moving Image. Bloomsbury, 2018.
Ezra, Elizabeth. The Cinema of Things: Globalization and the Posthuman Object. Bloomsbury, 2017.
Flisfeder, Matthew. Postmodern Theory and Blade Runner. Bloomsbury Academic, 2017.
Fox, Broderick. Documentary Media: History, Theory, Practice. Routledge, 2017.
Fraser, Ian. Political Theory and Film: From Adorno to Žižek. Rowman & Littlefield International, 2018. [On request]
Greven, David. Queering The Terminator: Sexuality and Cyborg Cinema. Bloomsbury, 2017.
Griffiths, Alison. Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America. Columbia University Press, 2016.
Gulino, Paul Joseph, and Connie Shears. The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies. Bloomsbury, 2018.
Hemelryk Donald, Stephanie. There’s No Place Like Home: The Migrant Child in World Cinema. I.B.Tauris, I.B. Tauris, 2017.
Heyrman, John. Politics, Hollywood Style: American Politics in Film from Mr. Smith to Selma. Lexington Books, 2017.
Hunter, Aaron. Authoring Hal Ashby: The Myth of the New Hollywood Auteur. Bloomsbury Academic, 2016.
Jackson, Neil, Shaun Kimber, Johnny Walker, Thomas Joseph Watson (eds). Snuff: Real Death and Screen Media. Bloomsbury Academic, 2016.
Jeffries, Dru. Comic Book Film Style: Cinema at 24 Panels Per Second. University of Texas Press, 2017.
Jermyn, Deborah. Nancy Meyers. Bloomsbury, 2017.
Johnson, Keith Leslie. Jan Švankmajer: Animist Cinema. University of Illinois Press, 2017.
Johnson, Martin L. Main Street Movies: The History of Local Film in the United States. Indiana University Press, 2018.
Jones, David Barker. The Documentary Art of Filmmaker Michael Rubbo. University of Calgary Press, 2017.
Jones, Graham and Ashley Woodward, eds. Acinemas: Lyotard's Philosophy of Film. Edinburg UP, 2017. [On request; e-book]
Kaklamanidou, Despoina-Betty. The "Disguised" Political Film in Contemporary Hollywood: A Genre's Construction. Bloomsbury Academic, 2016.
Kee, Chera. Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks. University of Texas Press, 2017.
Koepnick, Lutz. Michael Bay. University of Illinois Press, 2018.
Leigh, Jacob. The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity. Bloomsbury, 2017.
Lucia, Cynthia, and Rahul Hamid, eds. Cineaste on Film Criticism, Programming, and Preservation in the New Millennium. University of Texas Press, 2017.
Malas, Mohammad. The Dream: A Diary of the Film. The American University in Cairo Press, 2016. [On request.]
Mamula, Tijana, and Lisa Patti, eds. The Multilingual Screen: New Reflections on Cinema and Linguistic Difference. Bloomsbury Publishing USA, 2016.
Mazierska, Ewa. Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema. Berghahn Books, 2017.
Mekas, Jonas. Movie Journal: The Rise of the New American Cinema, 1959-1971. Second Edition. Columbia UP, 2016.
Miklitsch, Robert. The Red and the Black: American Film Noir in the 1950s. University of Illinois Press, 2017.
Pravadelli, Veronica (ed.). Contemporary Women’s Cinema, Global Scenarios and Transnational Contexts. Mimesis International, 2017. [On request.]
Prokhorov, Alexander, and Elena Prokhorova. Film and Television Genres of the Late Soviet Era. Bloomsbury, 2016.
Raengo, Alessandra. Critical Race Theory and Bamboozled. Bloomsbury Academic, 2016.
Rodowick, David Norman. What Philosophy Wants from Images. University of Chicago Press, 2017.
Russell, James, and Jim Whalley. Hollywood and the Baby Boom: A Social History. Bloomsbury, 2017.
Saeed-Vafa, Mehrnaz, and Jonathan Rosenbaum. Abbas Kiarostami. Expanded Second Edition. University of Illinois Press, 2018.
Samer, Roxanne, and William Whittington, eds. Spectatorship: Shifting Theories of Gender, Sexuality, and Media.University of Texas Press, 2017.
Schweitzer, Dahlia. Going Viral: Zombies, Viruses, and the End of the World. Rutgers University Press, 2018.
Slugan, Mario. Montage As Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder. Camden House, 2017.
Smith, Iain Robert, and Constantine Verevis, eds. Transnational Film Remakes. Edinburgh University Press, 2017. [On request, e-book]
Souch, Irina. Popular Tropes of Identity in Contemporary Russian Television and Film. Bloomsbury, 2017.
Stewart, Garrett. Transmedium: Conceptualism 2.0 and the New Object Art. University of Chicago Press, 2018.
Tadeo Fuica, Beatriz. Uruguayan Cinema, 1960-2010: Text, Materiality, Archive. Tamesis Books, 2017.
Wadia, Richards Rashna, and David T. Johnson, eds. For the Love of Cinema: Teaching Our Passion In and Outside the Classroom. Indiana University Press, 2017.
Westfall, Joseph, editor. The Continental Philosophy of Film Reader. Bloomsbury, 2018.
Film and Screen Media at University College Cork, 2011-2018
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