Editorial
Cinema in the Interstices
by Abigail Keating, Deborah Mellamphy and Jill Murphy (Issue Editors)
https://doi.org/10.33178/alpha.5.00
Articles
Interstices and Impurities in the Cinema: Art and Science
by Angela Dalle Vacche
https://doi.org/10.33178/alpha.5.01
Between Frames: Japanese Cinema at the Digital Turn
by Laura Lee
https://doi.org/10.33178/alpha.5.02
Montage in the Portrait Film: Where Does the Hidden Time Lie?
by Patrick Tarrant
https://doi.org/10.33178/alpha.5.03
Picturing a Golden Age: September and Australian Rules
by Pauline Marsh
https://doi.org/10.33178/alpha.5.04
Memories of a Buried Past, Indications of a Disregarded Present: Interstices Between Past and Present in Henri-François Imbert’s No pasarán, album souvenir
by Veronika Schweigl
https://doi.org/10.33178/alpha.5.05
Ma, Mu and the Interstice: Meditative Form in the Cinema of Jim Jarmusch
by Roy Daly
https://doi.org/10.33178/alpha.5.06
The Tales of New Orleans after Katrina: The Interstices of Fact and Fiction in Treme
by Delphine Letort
https://doi.org/10.33178/alpha.5.07
"Cinema Alone"/ Multiple "Cinemas"
by Raymond Bellour
https://doi.org/10.33178/alpha.5.08
Book Reviews
Stop the Clocks! Time and Narrative in Cinema, by Helen Powell
Reviewed by Deborah Mellamphy
https://doi.org/10.33178/alpha.5.09
Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema, by Austin Fisher
Reviewed by Mike Phillips
https://doi.org/10.33178/alpha.5.10
Mad Men: Dream Come True TV, edited by Gary R. Edgerton
Reviewed by Aidan Power
https://doi.org/10.33178/alpha.5.11
Book Reviews Editor: Ian Murphy
Reports