Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

Foreword by Laura Rascaroli https://doi.org/10.33178/alpha.27.00 Editorial 100 Years of Disney by Amy M. Davis and Helen Haswell, Issue Editors https://doi.org/10.33178/alpha.27.01 Articles Examining the Legacy of Disney Artist Mary Blair by Gabrielle Stecher https://doi.org/10.33178/alpha.27.02 Donald Duck Goes South: Walt Disney and the Inter-American Relations by András Lénárt https://doi.org/10.33178/alpha.27.03 Disney Screencerts: A Video Essay by Sureshkumar Sekar https://doi.org/10.33178/alpha.27.04 Hidden Histories: Vaulting as Corporate Archival Practice by Bailey Apollonio https://doi.org/10.33178/alpha.27.05 Stick to the Status Quo? Music and the Production of Nostalgia on Disney+ by Toby Huelin https://doi.org/10.33178/alpha.27.06 Streaming with the Mouse: Disney’s Entrance into Direct-to-Consumer Streaming and Implications for the Future of Entertainment by Cody T. Havard and Amy M. Davis https://doi.org/10.33178/alpha.27.07 Part of Whose World? How The Little Mermaid (2023) Attempts to Revise the Racist Tropes of the 1989 Animated Film Musical by Niall Richardson https://doi.org/10.33178/alpha.27.08 Diversity in Disney’s Theme Parks: Is It Working? by Priscilla Hobbs and Antares Leask https://doi.org/10.33178/alpha.27.09 Dossier – Danijela Kulezic-Wilson: Legacy for Film Music and Sound Studies Edited by Liz Greene Introduction by Liz Greene https://doi.org/10.33178/alpha.27.10 The Musicality of Traumatic Memories: A Video Essay by Oswald Iten https://doi.org/10.33178/alpha.27.11 More Beautiful Areas: Performativity and Presence in the Integrated Soundtrack by Adam Melvin https://doi.org/10.33178/alpha.27.12 On Drill Team and the Musicality of Videographic Criticism by Catherine Grant https://doi.org/10.33178/alpha.27.13 “He Has Music in Him”: Musical Moments, Dance and Corporeality in Joker (2019) by Jessica Shine https://doi.org/10.33178/alpha.27.14 “Remembrance”: Reticence, the Sensual, the Erotic, and the Music for The Irishman by Robynn J. Stilwell https://doi.org/10.33178/alpha.27.15 Music in “Reticent” Cinema by James Wierzbicki https://doi.org/10.33178/alpha.27.16 Remembering My Friend and Rehearing Two Films by Elsie Walker https://doi.org/10.33178/alpha.27.17 Blurring the Line? Music, Sound and “Sonic Gaze” in Post-Ceasefire Troubles-Themed Film by John O’Flynn https://doi.org/10.33178/alpha.27.18 Composing Perception: Hildegard Westerkamp Meets Gus Van Sant (A Video Essay) by Randolph Jordan https://doi.org/10.33178/alpha.27.19 Book Reviews Edited by Jill Murphy The Outer Limits, by Joanne Morreale Reviewed by Mehdi Achouche https://doi.org/10.33178/alpha.27.20 Profit Margins: The American Silent Cinema and the Marginalization of Advertising, by Jeremy Groskopf Reviewed by Jarvis Curry https://doi.org/10.33178/alpha.27.21 Recollecting Lotte Eisner: Cinema, Exile, and the Archive, by Naomi DeCelles Reviewed by Jonathan Devine https://doi.org/10.33178/alpha.27.22 On Black Media Philosophy, by Armond R. Towns Reviewed by Ruth M. Gregory https://doi.org/10.33178/alpha.27.23 Screening Fears: On Protective Media, by Francesco Casetti Reviewed by Malte Hagener https://doi.org/10.33178/alpha.27.24 Cinematic Histospheres: On the Theory and Practice of Historical Films, by Rasmus Greiner Reviewed by Li-An Ko https://doi.org/10.33178/alpha.27.25 What Film Is Good For: On the Value of Spectatorship, edited by Julian Hanich and Martin P. Rossouw Reviewed by Nich Krause https://doi.org/10.33178/alpha.27.26 Su Friedrich: Interviews, edited by Sonia Misra and Rox Samer Reviewed by Sibley Labandeira https://doi.org/10.33178/alpha.27.27 Labour-Intensive Filmmaking: An Interview with Su Friedrich Interview conducted by Sibley Labandeira https://doi.org/10.33178/alpha.27.28 Incomplete: The Feminist Possibilities of the Unfinished Film, by Alix Beeston and Stefan Solomon Reviewed by Kaitlin Lake https://doi.org/10.33178/alpha.27.29 Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton Reviewed by Blake Lynch https://doi.org/10.33178/alpha.27.30 The Cinema of Paul Thomas Anderson: American Apocrypha, by Ethan Warren Reviewed by Nivedita Nair https://doi.org/10.33178/alpha.27.31 American Mass Incarceration and Post-Network Quality Television, by Lee A. Flamand Reviewed by Harrison Patten https://doi.org/10.33178/alpha.27.32 East Asian Film Remakes, edited by David Scott Diffrient and Kenneth Chan Reviewed by Boel Ulfsdotter https://doi.org/10.33178/alpha.27.33 Architecture, Film, and the In-between: Spatio-Cinematic Betwixt, edited by Vahid Vadat and James F. Kerestes Reviewed by Shannon C. Weidner https://doi.org/10.33178/alpha.27.34 Dark Scenes from Damaged Earth: The Gothic Anthropocene, edited by Justin D. Edwards, Rune Graulund, and Johan Höglund Reviewed by David Franklin https://doi.org/10.33178/alpha.27.35 Tweet