Editorial Pandemic Documentary: Negotiating “Cramped Space” by Oliver Brett and Rhiannon Harries, Issue Editors https://doi.org/10.33178/alpha.31.00 Pandemic Documentary and the Aesthetics of Crisis   Case Study Seeing the Opioid Epidemic through COVID-19: Ambivalent Aesthetics in The Family Statement (2023) by Rhiannon Harries https://doi.org/10.33178/alpha.31.01 Articles Pandemic Documentary and Graphic Narrative: Race, Disability, and the Chromatic Language of In/Vulnerable: Inequity in the Time of Pandemic by Ruth Maxey https://doi.org/10.33178/alpha.31.02 Allegories of Pandemic Governance: Comedy, Cramped Space, and National Imaginaries in European Cinema by Oliver Brett https://doi.org/10.33178/alpha.31.03 Frames of Isolation: Recording Memory and Loss in Mati Diop’s In My Room by Brittany Bernard https://doi.org/10.33178/alpha.31.04 The Harold Scott Story: Remembering and Documenting an Activist, Educator, Thirty-five-year HIV/AIDS Survivor (Video Essay) by Amy Bertram https://doi.org/10.33178/alpha.31.05 Memories of COVID-19 by Thai Film Crews: Encountering and Navigating Film Sets (Not) as Cramped Spaces (Video Essay) by Wikanda Promkhuntong and Natthanun Tiammek https://doi.org/10.33178/alpha.31.06   Critical Practice: Cramped Methods   “Mandatory Training”, Online Teaching, and Dialectical Space by Patrick Tarrant https://doi.org/10.33178/alpha.31.07 Making Dreams of Safety—A Series of Online Videos by Richard Whitby https://doi.org/10.33178/alpha.31.08 Dream Workers: A Filmmaking Journey During the Pandemic (Video Essay) by Pinar Fontini https://doi.org/10.33178/alpha.31.09 Book Reviews Edited by Jill Murphy Democracy and Media in Europe: A Discursive-Material Approach, by Nico Carpentier and Jeffrey Wimmer Reviewed by Martin Bubanović https://doi.org/10.33178/alpha.31.10 Filmmaking in Academia: Practice Research for Filmmakers, by Agata Lulkowska Reviewed by Hande Çayir https://doi.org/10.33178/alpha.31.11 Strangelove Country: Science Fiction, Filmosophy and the Kubrickian Consciousness, by D. Harlan Wilson Reviewed by Jarvis Curry https://doi.org/10.33178/alpha.31.12 Towards a Film Theory From Below: Archival Film and the Aesthetics of the Crack-up, by Jiří Anger Reviewed by Chiara Grizzaffi https://doi.org/10.33178/alpha.31.13 Beyond the Movie Theater: Sites, Sponsors, Uses, by Gregory A. Waller Reviewed by Simon Hewitt https://doi.org/10.33178/alpha.31.14 The Intellect Handbook of Documentary, edited by Kate Nash and Deane Williams Reviewed by Dina Iordanova https://doi.org/10.33178/alpha.31.15 The Postmodern Slasher Film, by Steve Jones Reviewed by Shahbaz Khayambashi https://doi.org/10.33178/alpha.31.16 Cinemal: The Becoming-Animal of Experimental Film, by Tessa Laird Reviewed by Botagoz Koilybayeva https://doi.org/10.33178/alpha.31.17 Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell Reviewed by Jessie Krahn https://doi.org/10.33178/alpha.31.18 The Biggest Thing in Show Business: Living It Up with Martin & Lewis, by Murray Pomerance and Matthew Solomon Reviewed by Ciara Moloney https://doi.org/10.33178/alpha.31.19 UK and Irish Television Comedy: Representations of Region, Nation, and Identity, edited by Mary Irwin and Jill Marshall Reviewed by Diana Ortega Martín https://doi.org/10.33178/alpha.31.20 Ida Lupino, Forgotten Auteur: From Film Noir to the Director’s Chair, by Alexandra Seros Reviewed by Gabrielle Stecher Woodward https://doi.org/10.33178/alpha.31.21