Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

Editorial Coming to Latin America: Moving Image Encounters, Non-Latin American Practitioners by Lawrence Alexander and Javier Pérez-Osorio, Issue Editors https://doi.org/10.33178/alpha.2930.00 Articles – Sexuality and Queerness Sex, Drugs, and Neocolonial Leisure: An Intermedial History and Analysis of Dieter Schidor’s Kalt in Kolumbien (1985) by Juan Camilo Velásquez https://doi.org/10.33178/alpha.2930.01 Foreign Body: AIDS, Moral Panic, and Otherness in Via Appia (1989) by Henrique Rodrigues Marques https://doi.org/10.33178/alpha.2930.02 Transcending Borders? Observing Lesbian Desire and Intimacy in Ruth Caudeli’s Porque no. (2016) and Petit Mal (2022) by Karol Valderrama-Burgos and Georgia Fielding https://doi.org/10.33178/alpha.2930.03 – Ethnographic Encounters and Indigenous Knowledge Fragments of Encounters: The Filmic Chronicles of Claude Lévi-Strauss and Dina Dreyfus in Indigenous Villages in Brazil by Rodrigo Brum and Ana G. Coutinho https://doi.org/10.33178/alpha.2930.04 Cosmologies of the Living Forest: For a Metabolic Documentary by Dennis Hippe https://doi.org/10.33178/alpha.2930.05 Father Colin MacInnes’ Work in Gleanntan Ecuador (1995) by Maria Fernanda Miño Puga https://doi.org/10.33178/alpha.2930.06 – Displacements, Layovers, Experiments The Other Chronicle of a Summer; or, Caribbean Layovers of Transnational Vérité by Pedro Noel Doreste Rodríguez https://doi.org/10.33178/alpha.2930.07 Displacing the Gaze: Imaging Brazil in Transnational Experimental Cinema and Video Art by Fábio Andrade https://doi.org/10.33178/alpha.2930.08 Unfinished Thinking and the Unfinished Film: Feminist Filmmaking in Cuba, Catalunya, and Scotland by David Archibald and Núria Araüna Baró https://doi.org/10.33178/alpha.2930.09 – Excavation and Memory “X” Marks the What? “Cross Influence”, Extractivism, and the Labours of Moving Image Excavation in Harun Farocki’s The Silver and the Cross (2010) by Lawrence Alexander https://doi.org/10.33178/alpha.2930.10 From Thailand to Colombia: Soundscapes of a Violent Past in Apichatpong Weerasethakul’s Memoria (2021) by Javier Pérez-Osorio https://doi.org/10.33178/alpha.2930.11 Dossier: Mapping Screen Heritage Introduction by Rinella Cere, James Fenwick, and Danilo Giglitto https://doi.org/10.33178/alpha.2930.12 Hollywood Shuffle: The History and Impact of Maya Cade’s Black Film Archive by Samantha Kountz https://doi.org/10.33178/alpha.2930.13 Confronting the Empire: Militant Archival Practices in Testimonies from Fallujah and A Fidai Film by Pablo Alvarez https://doi.org/10.33178/alpha.2930.14 “My Natives to Myself”: A Critical Perspective on Ethnographic Films by Danilo Giglitto and Rinella Cere https://doi.org/10.33178/alpha.2930.15 Speaking With: Histories of Vietnam Explored Through Archive Film by Esther Johnson https://doi.org/10.33178/alpha.2930.16 Educational Film Archives: A Tool for Sustainable Tourism by Lucia Di Girolamo https://doi.org/10.33178/alpha.2930.17 Book Reviews Edited by Jill Murphy Albanian Cinema Through the Fall of Communism: Silver Screens and Red Flags, by Bruce Williams Reviewed by Dina Iordanova https://doi.org/10.33178/alpha.2930.18 Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin Reviewed by Min-Kyoo Kim https://doi.org/10.33178/alpha.2930.19 Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, by Tanya Shilina-Conte Reviewed by James McFarland https://doi.org/10.33178/alpha.2930.20 The New American War Film, by Robert Burgoyne Reviewed by Jeremy Rafuse https://doi.org/10.33178/alpha.2930.21 Close Encounters of the Third Kind, by Dana Polan Reviewed by Lexie Corbett https://doi.org/10.33178/alpha.2930.22